I was interested in two things in ''In Too Deep'': one was the corruption of innocents and the other was the strengths and weaknesses of sexuality. And I wanted to set it in an urban landscape. What I was really keen to do was create a mood and a feel through a variety of ways. I believe that film is like a tapestry and all the components that go to making the texture of that tapestry are all important: sound, pictures, editing, performances, direction. If one doesn't work, then the final tapestry won't have the texture the director had in his or her mind to start with. If a film doesn't have a feeling, a feeling that has a texture to it, then it's lacking. So that was something I was very keen to explore: how do I give this film a feeling of claustrophobia, a feeling of heat, a feeling of menace and vulnerability.〔(John Tatoulis interview 20 May 1997 ) accessed 11 October 2012〕